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How To Read A Film : Movies Media and Beyond

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How To Read A Film : Movies Media and Beyond

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Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the ever-evolving digital context of film throughout―one of the new sections looks at the untrustworthy nature of digital images and sound―and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it bette

James Monaco

James F. Monaco (November 15, 1942 – November 25, 2019) was an American film critic, author, publisher, and educator. Monaco founded Baseline in 1982, an early online database about the entertainment industry, and a forerunner of the IMDb. It was taken over by The New York Times Company in 2006. In 2011 the Times sold the company to Project Hollywood LLC, which is majority owned by entrepreneurs Laurie Silvers and Mitchell Rubenstein, who sold it to Gracenote in 2014 for a reported $50 million.[3] He has taught at The New School for Social Research, Columbia University, New York University, and the City University of New York. He was a media commentator for Morning Edition on NPR in the 1980s, and has written for The New York Times, The Village Voice, and The Christian Science Monitor.

Title

How To Read A Film : Movies Media and Beyond

Author

James Monaco

Publisher

Oxford University Press, India

Category

  • Film
  • Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the ever-evolving digital context of film throughout―one of the new sections looks at the untrustworthy nature of digital images and sound―and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it bette
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