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The Journals of Sylvia Plath

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The Journals of Sylvia Plath

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Sylvia Plath began keeping a diary as a young child. By the time she was at Smith College, when this book begins, she had settled into a nearly daily routine with her journal, which was also a sourcebook for her writing. Plath once called her journal her “Sargasso,” her repository of imagination, “a litany of dreams, directives, and imperatives,” and in fact these pages contain the germs of most of her work. Plath’s ambitions as a writer were urgent and ultimately all-consuming, requiring of her a heat, a fantastic chaos, even a violence that burned straight through her. The intensity of this struggle is rendered in her journal with an unsparing clarity, revealing both the frequent desperation of her situation and the bravery with which she faced down her demons. Written in electrifying prose, The Journals of Sylvia Plath provide unique insight, and are essential reading for all those who have been moved and fascinated by Plath’s life and work.

Ted Hughes

Ted Hughes (17 August 1930 – 28 October 1998) was an English poet, translator, and children's writer. Critics frequently rank him as one of the best poets of his generation[2] and one of the twentieth century's greatest writers.[3] He was appointed Poet Laureate in 1984 and held the office until his death. In 2008 The Times ranked Hughes fourth on its list of "The 50 greatest British writers since 1945". Hughes was married to American poet Sylvia Plath from 1956 until her death by suicide in 1963 at the age of 30. His last poetic work, Birthday Letters (1998), explored their relationship.

Title

The Journals of Sylvia Plath

Author

Ted Hughes

Publisher

Anchor Books

Number of Pages

370

Category

  • Diary
  • Memories
  • First Published

    JAN 1992

    Sylvia Plath began keeping a diary as a young child. By the time she was at Smith College, when this book begins, she had settled into a nearly daily routine with her journal, which was also a sourcebook for her writing. Plath once called her journal her “Sargasso,” her repository of imagination, “a litany of dreams, directives, and imperatives,” and in fact these pages contain the germs of most of her work. Plath’s ambitions as a writer were urgent and ultimately all-consuming, requiring of her a heat, a fantastic chaos, even a violence that burned straight through her. The intensity of this struggle is rendered in her journal with an unsparing clarity, revealing both the frequent desperation of her situation and the bravery with which she faced down her demons. Written in electrifying prose, The Journals of Sylvia Plath provide unique insight, and are essential reading for all those who have been moved and fascinated by Plath’s life and work.
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