Panopticon

Hans Magnus Enzensberger

Literary Criticism

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Hans Magnus Enzensberger takes the title for this collection of daring short essays on topical themes politics, economics, religion, society not from Jeremy Bentham’s famous prison but from a mid-1930s Cabinet of Curiosities opened in Germany by Karl Valentin. “There,” writes Enzensberger, “viewers could admire, along with implements of torture, all manner of abnormalities and sensational inventions. ” And that’s what he offers here: a wide-ranging, surprising look at all manner of strange aspects of our contemporary world. As masterly with the essay as he is with fiction and poetry, Enzensberger here presents complicated thoughts with a light touch, tying new iterations of old ideas to their antecedents, quoting liberally from his forebears and presenting himself unapologetically as not an expert but a seeker. Enzensberger the essayist works in the mode of Montaigne, unafraid to take his reader in unexpected directions, knowing that the process of exploration is often in itself sufficient reward for following a line of thought. In an era that regularly laments the death of the public intellectual, Enzensberger is the real deal: a towering figure in German literature who refuses to let his mind or work be bound by the narrow world of the poetry or fiction section. Panopticon will thrill readers daring enough to accompany him.

Hans Magnus Enzensberger

Hans Magnus Enzensberger (born 11 November 1929) is a German author, poet, translator and editor. He has also written under the pseudonym Andreas Thalmayr. Enzensberger has a sarcastic, ironic tone in many of his poems.[9] For example, the poem "Middle Class Blues" consists of various typicalities of middle class life, with the phrase "we can't complain" repeated several times, and concludes with "what are we waiting for?". Many of his poems also feature themes of civil unrest over economic and class based issues. Though primarily a poet and essayist, he also makes excursions into theater, film, opera, radio drama, reportage, translation. He has written novels and several books for children (including The Number Devil, an exploration of mathematics) and is co-author of a book for German as a foreign language (Die Suche). He also invented and collaborated in the construction of a machine which automatically composes poems. It was used during the 2006 Football World Cup to commentate on games. With Irene Dische he wrote the libretto for Aulis Sallinen's fifth opera The Palace.[