Skip to Content
Postmodernism or the Cultural Logic of Late Capitalism

Price:

1,600.00 ৳


লোককবিতায় বঙ্গবন্ধু ২ খণ্ডে একত্রে
লোককবিতায় বঙ্গবন্ধু ২ খণ্ডে একত্রে
1,500.00 ৳
1,500.00 ৳
Brave New World (Vintage)
Brave New World (Vintage)
1,000.00 ৳
1,000.00 ৳

Postmodernism or the Cultural Logic of Late Capitalism

https://pathakshamabesh.com/web/image/product.template/4423/image_1920?unique=31c0b11

1,600.00 ৳ 1600.0 BDT 1,600.00 ৳

Not Available For Sale


This combination does not exist.

Terms and Conditions
30-day money-back guarantee
Shipping: 2-3 Business Days

 Delivery Charge (Based on Location & Book Weight)

 Inside Dhaka City: Starts from Tk. 70 (Based on book weight)

 Outside Dhaka (Anywhere in Bangladesh): Starts from Tk. 150 (Weight-wise calculation applies)

 International Delivery: Charges vary by country and book weight — will be informed after order confirmation.

 3 Days Happy ReturnChange of mind is not applicable

 Multiple Payment Methods

Credit/Debit Card, bKash, Rocket, Nagad, and Cash on Delivery also available. 

Postmodernism, or, the Cultural Logic of Late Capitalism is a 1991 book by Fredric Jameson, in which the author offers a critique of modernism and postmodernism from a Marxist perspective. The book began as a 1984 article in the New Left Review.[1][2] For Jameson, postmodernism is a forced but highly permeating field, given that cultures are formed through mass media ("mass culture"). This so-called mass culture indirectly forces us to shape our ideologies and brings us under the influence of media culture—a process that Jameson calls hegemony. This hegemony however has nothing to do with the postcolonial idea of colonization; rather it is a form of hegemony in the postmodern world, where media and capitalism play the most significant role in colonizing people's thoughts and ways of life. Jameson argues that postmodernism is the age of the end of traditional ideologies. The ending of traditional ideologies can be seen through new wave of the aesthetic productions. He uses architecture and painting as examples. For instance, he draws out the differences between mindsets of modernism and postmodernism by comparing Van Gogh's “Peasant Shoes” with Andy Warhol's “Diamond Dust Shoes”.

Frederic Jameson

Frederic Jameson (April 14, 1934 – September 22, 2024) was an American literary critic, philosopher and Marxist political theorist. He was best known for his analysis of contemporary cultural trends, particularly his analysis of post modernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious (1981). Jameson was the Knut Schmidt Nielsen Professor of Comparative Literature, Professor of Romance Studies (French), and Director of the Institute for Critical Theory at Duke University. In 2012, the Modern Language Association gave Jame son its sixth Award for Lifetime Scholarly Achievement.

Title

Postmodernism or the Cultural Logic of Late Capitalism

Author

Frederic Jameson

Publisher

Verso

Number of Pages

438

Language

English (US)

Category

  • Cultural Studies
  • First Published

    JAN 2014

    Postmodernism, or, the Cultural Logic of Late Capitalism is a 1991 book by Fredric Jameson, in which the author offers a critique of modernism and postmodernism from a Marxist perspective. The book began as a 1984 article in the New Left Review.[1][2] For Jameson, postmodernism is a forced but highly permeating field, given that cultures are formed through mass media ("mass culture"). This so-called mass culture indirectly forces us to shape our ideologies and brings us under the influence of media culture—a process that Jameson calls hegemony. This hegemony however has nothing to do with the postcolonial idea of colonization; rather it is a form of hegemony in the postmodern world, where media and capitalism play the most significant role in colonizing people's thoughts and ways of life. Jameson argues that postmodernism is the age of the end of traditional ideologies. The ending of traditional ideologies can be seen through new wave of the aesthetic productions. He uses architecture and painting as examples. For instance, he draws out the differences between mindsets of modernism and postmodernism by comparing Van Gogh's “Peasant Shoes” with Andy Warhol's “Diamond Dust Shoes”.
    No Specifications