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Naushadnama : The Life & Music of Naushad

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Naushadnama : The Life & Music of Naushad

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An authoritative, comprehensive and enthralling narrative – studded with rare nuggets of information – that records the life and times of ‘the composer of the century’ whose music was poetry in motion. The seven letters in Naushad’s name are like the seven notes of Hindustani classical music. After just a few years in films, Naushad (1919-2006) went to rule the Hindi cinema music world for around two decades, beginning with the landmark Rattan (1944). His oeuvre (from 1940 to 2005) consists of an unmatched list of jubilees, many of which are musical milestones such as Andaz (1949), Baiju Bawra (1952), Mother India (1957) and Mughal-e-Azam (1960). No individual stays supreme without putting in tremendous efforts to reach the pinnacle and to stay there as long as possible, as our maestro did. And no composer probably moved so cleverly, behind the scenes, than did Naushad to sustain his hold on the public imagination. Although we continue to marvel at the incredible variety of his mellifluous creations that have withstood the test of time, how little most of us know about Naushad the man. Renowned song historian Raju Bharatan fleshes out the real Naushad – his triumphs and tragedies – bringing into play more than 50 years of personal interaction with the tuneful titan.

Raju Bharatan

Raju Bharatan (1934 – February 7, 2020) was a journalist and writer on Indian cricket and Bollywood music. He worked for a weekly features magazine, The Illustrated Weekly of India, and an Indian films weekly newspaper, Screen.

Title

Naushadnama : The Life & Music of Naushad

Author

Raju Bharatan

Publisher

Hay House Publishers India

Number of Pages

356

Language

English (US)

Category

  • Film
  • Biography
  • First Published

    JAN 2017

    An authoritative, comprehensive and enthralling narrative – studded with rare nuggets of information – that records the life and times of ‘the composer of the century’ whose music was poetry in motion. The seven letters in Naushad’s name are like the seven notes of Hindustani classical music. After just a few years in films, Naushad (1919-2006) went to rule the Hindi cinema music world for around two decades, beginning with the landmark Rattan (1944). His oeuvre (from 1940 to 2005) consists of an unmatched list of jubilees, many of which are musical milestones such as Andaz (1949), Baiju Bawra (1952), Mother India (1957) and Mughal-e-Azam (1960). No individual stays supreme without putting in tremendous efforts to reach the pinnacle and to stay there as long as possible, as our maestro did. And no composer probably moved so cleverly, behind the scenes, than did Naushad to sustain his hold on the public imagination. Although we continue to marvel at the incredible variety of his mellifluous creations that have withstood the test of time, how little most of us know about Naushad the man. Renowned song historian Raju Bharatan fleshes out the real Naushad – his triumphs and tragedies – bringing into play more than 50 years of personal interaction with the tuneful titan.
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