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Mughal Painting : Oxford India Short Introductions

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Mughal Painting : Oxford India Short Introductions

Deeply influenced by a diverse mix of cultural, regional and artistic traditions, the Mughal school of painting remains one of the richest and most productive schools in the history of Indian and Islamic painting. Its corpus assimilates traits from various art schools that flourished in the Indian subcontinent with Persian and Central Asian traditions, as well as that of European Renaissance art, especially humanism. It constitutes the most extensive source of visual reconstruction of the life, work and manners of Mughal society, thus presenting a wealth of information on the period. The paintings also depict non-Islamic mythological and religious themes and portray wildlife amidst naturalistic surroundings.
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Deeply influenced by a diverse mix of cultural, regional and artistic traditions, the Mughal school of painting remains one of the richest and most productive schools in the history of Indian and Islamic painting. Its corpus assimilates traits from various art schools that flourished in the Indian subcontinent with Persian and Central Asian traditions, as well as that of European Renaissance art, especially humanism. It constitutes the most extensive source of visual reconstruction of the life, work and manners of Mughal society, thus presenting a wealth of information on the period. The paintings also depict non-Islamic mythological and religious themes and portray wildlife amidst naturalistic surroundings.

Som Prakash Verma

Som Prakash Verma Is former Professor of History, Aligarh Muslim University. He was Tagore National Fellow from 2010 to 2012 (Ministry of Culture, Government of India) and is at present Senior Academic Fellow (Indian Council of Historical Research, New Delhi). As a practicing artist he has received awards from the Indian Academy of Fine Arts, Amritsar (1981) and the Academy of Fine Arts, Calcutta (1982). He has published several books including Taj Mahal (OUP, 2012) Interpreting Mughal Paintings (OUP, 2009) and 1857: An Illustrated History (OUP, 2008).

Title

Mughal Painting : Oxford India Short Introductions

Author

Som Prakash Verma

Publisher

Oxford University Press, India

Number of Pages

198

Language

English (US)

Category

  • Very Short Introduction
  • First Published

    JAN 2014

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    Deeply influenced by a diverse mix of cultural, regional and artistic traditions, the Mughal school of painting remains one of the richest and most productive schools in the history of Indian and Islamic painting. Its corpus assimilates traits from various art schools that flourished in the Indian subcontinent with Persian and Central Asian traditions, as well as that of European Renaissance art, especially humanism. It constitutes the most extensive source of visual reconstruction of the life, work and manners of Mughal society, thus presenting a wealth of information on the period. The paintings also depict non-Islamic mythological and religious themes and portray wildlife amidst naturalistic surroundings.
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