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Charandas Chor And Other Plays

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1,200.00 ৳


সোফির জগৎ (ইয়স্তেন গার্ডার) (সংহতি)
সোফির জগৎ (ইয়স্তেন গার্ডার) (সংহতি)
850.00 ৳
850.00 ৳
New Concise Larousse Gastronomique
New Concise Larousse Gastronomique
2,590.00 ৳
2,590.00 ৳

Charandas Chor And Other Plays

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A towering figure in twentieth-century theater in India, Habib Tanvir was an actor, director and playwright, working in Hindi and Urdu. He founded the Naya Theater in 1959, through which he created remarkable works drawing on the history and traditions of the tribal folk of Chhattisgarh. This book brings together four plays, all translated into English for the first time. Agra Bazar (1954), set in the early nineteenth century amid the bustle of a colorful street market in the iconic North Indian city, is woven together by the wonderfully human voice of the poet Nazir and examines some of important cultural and socioeconomic issues of the period, such as the declining influence of the Urdu language and the growing power of English in colonial India. Charandas Chor (1975), Tanvir’s most famous work, is the story of a typical folk hero who robs the rich much in the style of Robin Hood and evades the law until he comes up against one wall he cannot scale his own commitment to the truth. ​In Bahadur Kalarin (1978), Tanvir reinvents an nearly forgotten Chattisgarh folk tale about a mother–son relationship in which he finds echoes of Oedipus, while in the Living Tale of Hirma (1985) he dramatizes a historical event in which a headstrong ruler of an Indian tribe clashes with a population who want to replace the tribal way of life with newfound ideals of democracy, leading to disastrous results. Enriched by introductory texts and an intensive interview with Tanvir that covers the milestones of his illustrious career, the book will be the perfect introduction to Tanvir’s work for English-language theater fans and scholars.

Habib Tanvir

Habib Tanvir (1 September 1923 – 8 June 2009 was one of the most popular Indian Urdu, Hindi playwrights, a theatre director, poet and actor. He was the writer of plays such as, Agra Bazar (1954) and Charandas Chor (1975). A pioneer in Urdu and Hindi theatre, he was most known for his work with Chhattisgarhi tribals, at the Naya Theatre, a theatre company he founded in 1959 in Bhopal. He went on to include indigenous performance forms such as nacha, to create not only a new theatrical language, but also milestones such as Charandas Chor, Gaon ka Naam Sasural, Mor Naam Damad and Kamdeo ka Apna Basant Ritu ka Sapna. For him, true "theatre of the people" existed in the villages, which he strived to bring to the urban "educated", employing both folk performers as actors alongside urban actors. He died on 8 June 2009 at Bhopal after a three-week-long illness.Upon his death, he was the last of pioneering actor-managers in Indian theatre, which included Sisir Bhaduri, Utpal Dutt and Prithviraj Kapoor, and often he managed plays with a mammoth cast, such as Charandas Chor, which included an orchestra of 72 people on stage and Agra Bazaar, with 52 people

Title

Charandas Chor And Other Plays

Author

Habib Tanvir

Publisher

Seagull Books

Language

English (US)

Category

  • Drama
  • A towering figure in twentieth-century theater in India, Habib Tanvir was an actor, director and playwright, working in Hindi and Urdu. He founded the Naya Theater in 1959, through which he created remarkable works drawing on the history and traditions of the tribal folk of Chhattisgarh. This book brings together four plays, all translated into English for the first time. Agra Bazar (1954), set in the early nineteenth century amid the bustle of a colorful street market in the iconic North Indian city, is woven together by the wonderfully human voice of the poet Nazir and examines some of important cultural and socioeconomic issues of the period, such as the declining influence of the Urdu language and the growing power of English in colonial India. Charandas Chor (1975), Tanvir’s most famous work, is the story of a typical folk hero who robs the rich much in the style of Robin Hood and evades the law until he comes up against one wall he cannot scale his own commitment to the truth. ​In Bahadur Kalarin (1978), Tanvir reinvents an nearly forgotten Chattisgarh folk tale about a mother–son relationship in which he finds echoes of Oedipus, while in the Living Tale of Hirma (1985) he dramatizes a historical event in which a headstrong ruler of an Indian tribe clashes with a population who want to replace the tribal way of life with newfound ideals of democracy, leading to disastrous results. Enriched by introductory texts and an intensive interview with Tanvir that covers the milestones of his illustrious career, the book will be the perfect introduction to Tanvir’s work for English-language theater fans and scholars.
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