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Kabir : Selected Couplets From The Sakhi In Transversion (HB)

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Kabir : Selected Couplets From The Sakhi In Transversion (HB)

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The book opens a new vista in the sphere of verse translation in India. In the introductory part there is a departure from a mass of Hindi criticism. The bases of selection of dohas from the Sakhi are: Kabir's proverbial and worldly wisdom, analogy-finding gift, richness and variety of imagery, recurrent theme of death, gift for satire and rhetorical powers. This introductory part primarily focusses on Kabir as poet, which is his 'real estimate'. Thus, the introductory part is a piece of scholarly criticism judging and appreciating Kabir's Sakhi on the canons of English literary criticism. The versification (four-line stanza form in loose Iambic tetrameter lines) has an easy flow and almost parallels the flow of Kabir's dohas. With the Hindi version and notes, the book will be a valuable reading especially for the English-speaking readers.

Mohan Singh Karki

Mohan Singh Karki (born in 1940) taught English language and literature at different colleges. His published doctoral disseration Robert Frost: Theory and Practice of the Colloquial and Sound of Sense enjoyed the reputation of being an outstanding work. Besides this, the author edited with copious scholarly notes, The Golden Treasure (an anthology of English poems) and The Facets of English Prose (an anthology comprising parable, fable, allegory, irony, diary, letter, biography and autobiography). The latest publication is A Miscellany of Poems

Title

Kabir : Selected Couplets From The Sakhi In Transversion (HB)

Author

Mohan Singh Karki

Publisher

Motilal Banarsidass Publishers Pvt. Ltd.

Number of Pages

160

Language

English (US)

Category

  • Poetry
  • First Published

    JAN 2001

    The book opens a new vista in the sphere of verse translation in India. In the introductory part there is a departure from a mass of Hindi criticism. The bases of selection of dohas from the Sakhi are: Kabir's proverbial and worldly wisdom, analogy-finding gift, richness and variety of imagery, recurrent theme of death, gift for satire and rhetorical powers. This introductory part primarily focusses on Kabir as poet, which is his 'real estimate'. Thus, the introductory part is a piece of scholarly criticism judging and appreciating Kabir's Sakhi on the canons of English literary criticism. The versification (four-line stanza form in loose Iambic tetrameter lines) has an easy flow and almost parallels the flow of Kabir's dohas. With the Hindi version and notes, the book will be a valuable reading especially for the English-speaking readers.
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