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The Fiction of Fact-Finding : Modi & Godhra

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The Fiction of Fact-Finding : Modi & Godhra

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No instance of communal violence has provoked as much controversy as the Gujarat 2002 carnage, in which over 1,000 people, mostly Muslims, were killed. And none has been subjected to as much fact-finding, especially under the monitoring of the Supreme Court. Sifting through the wealth of official material, this book contends that the fact-finding - riddled as it was with ambiguities and deceptions, gaps and contradictions - glossed over crucial pieces of evidence, and thereby shielded the powers that be. Though it gave a clean chit to Chief Minister Narendra Modi in 2012, the Supreme Court-appointed special investigation team (SIT) left unasked a range of key questions on the anti-Muslim violence following the burning of a train in Godhra carrying Hindutva activists. How could Modi claim, Manoj Mitta asks, to have been unaware, for nearly five hours, of the first post-Godhra massacre, which took place at Ahmedabad's Gulberg Society? How does this claim square with his admission that he was tracking the violence as it unfolded? Why did Modi take five days to visit riot-affected areas in Ahmedabad and a month to meet Muslim victims in a refugee camp? Why were forensic experts called to see the burnt Godhra coach only after two months, although it had been open to the public throughout that period? What exactly did Modi celebrate in his Gaurav Yatra, which he launched within six months of the carnage? Why did the Gujarat police sit for six years on the call data records of the riot period? Scrupulously researched, The Fiction of Fact-finding draws telling parallels between Gujarat 2002 and the 1984 massacre of Sikhs in Delhi to underline an insidious pattern in Indian democracy: the subversion of the criminal justice system, under a shroud of legal platitudes, by the ruling dispensation.

Manoj Mitra

Manoj Mitra (born 22 December 1938) is an Indian theatre, film and television actor, director and playwright. Mitra was born on 22 December 1938 in Dhulihar village of Satkhira, Khulna, Bangladesh. Initially he used to study at home because his father Ashok Kumar Mitra, who had a transferable job. Mitra was attracted to the Jatras and plays that used to be held in their courtyard during the Durga Pujas but was forbidden by senior family members to participate in any way. His school life began after the Partition at a school (Dandirhat N.K.U.S. Niketan) near Basirhaat. Later he joined the Scottish Church College with honours in philosophy and graduated in 1958. He used to write short stories and many of them appeared in various magazines. It was at Scottish Church that he got initiated to theatre. There were regular shows at the college where the likes of Badal Sarkar, Rudraprasad Sengupta and others were students.[3] He did his MA in Philosophy from the University of Calcutta and began research for a doctorate. But by then he and friends like theatre and film director Partha Pratim Chowdhury had begun the group Sundaram.[1] He began by teaching philosophy in the Suri Vidyasagar College (only one day) and later joined the drama department at the Rabindra Bharati University, where he became the head of department and retired as Sisirkumar Bhaduri professor of RBU. But by then he was a leading playwright of Bengal. He was writing, directing and acting in plays. His first play Mrityur Chokhe Jal won him first prize at the statewide competition. He has till date written over a hundred plays like Mrityur Chokhe Jal, Sajano Bagaan, Parabas, Alokanandar Putra Kanya, Narak Guljar, Aswathama, Chakbhanga Madhu, Mesh O Rakhash, Noisho Bhoj, Chhayar Prashad, Galpo Hekim Saheb, Rajdarshan, Debi Swarpamasta, Munni O Saat Chowkidar, Ranger haat, Ja Nei Bharatey. While most of these plays were produced by Sundaram, major theatre groups have produced his works like Theatre Workshop, Bohurupee etc. He also played a soulful role in the movie "Hothat Bristy" (Sudden Rain) in 1998 was produced by both Bangladesh & India [1] Hothat Brishti. His works have been translated into many languages and produced by directors like Ratan Thiyam, Rajendar Nath and others. His latest play Aschourjo Funtosee is now being produced by Sundaram in Kolkata, India. He has written several books on film and theatre.

Title

The Fiction of Fact-Finding : Modi & Godhra

Author

Manoj Mitra

Publisher

HarperCollins Publishers India Pvt.Limited

Number of Pages

261

Language

English (US)

Category

  • Current Affairs
  • First Published

    JAN 2014

    No instance of communal violence has provoked as much controversy as the Gujarat 2002 carnage, in which over 1,000 people, mostly Muslims, were killed. And none has been subjected to as much fact-finding, especially under the monitoring of the Supreme Court. Sifting through the wealth of official material, this book contends that the fact-finding - riddled as it was with ambiguities and deceptions, gaps and contradictions - glossed over crucial pieces of evidence, and thereby shielded the powers that be. Though it gave a clean chit to Chief Minister Narendra Modi in 2012, the Supreme Court-appointed special investigation team (SIT) left unasked a range of key questions on the anti-Muslim violence following the burning of a train in Godhra carrying Hindutva activists. How could Modi claim, Manoj Mitta asks, to have been unaware, for nearly five hours, of the first post-Godhra massacre, which took place at Ahmedabad's Gulberg Society? How does this claim square with his admission that he was tracking the violence as it unfolded? Why did Modi take five days to visit riot-affected areas in Ahmedabad and a month to meet Muslim victims in a refugee camp? Why were forensic experts called to see the burnt Godhra coach only after two months, although it had been open to the public throughout that period? What exactly did Modi celebrate in his Gaurav Yatra, which he launched within six months of the carnage? Why did the Gujarat police sit for six years on the call data records of the riot period? Scrupulously researched, The Fiction of Fact-finding draws telling parallels between Gujarat 2002 and the 1984 massacre of Sikhs in Delhi to underline an insidious pattern in Indian democracy: the subversion of the criminal justice system, under a shroud of legal platitudes, by the ruling dispensation.
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