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The Short Fiction Scenario

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লোককবিতায় বঙ্গবন্ধু ২ খণ্ডে একত্রে
লোককবিতায় বঙ্গবন্ধু ২ খণ্ডে একত্রে
1,500.00 ৳
1,500.00 ৳
Brave New World (Vintage)
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The Short Fiction Scenario

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Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898–1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible, he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. The Short-Fiction Scenario presents a master-class on turning a short story into an effective film. Delivered as a series of lectures at the State Institute of Cinematography, it details two parallel scripts drawn from the same story; at each point of difference, Eisenstein explains why one works better.

Sergei Eisenstein

Sergei Eisenstein (10 January] 1898 – 11 February 1948) was a Soviet film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958). In its 2012 decennial poll, the magazine Sight & Sound named his Battleship Potemkin the 11th greatest film of all time

Title

The Short Fiction Scenario

Author

Sergei Eisenstein

Publisher

Seagull Books

Number of Pages

112

Language

English (US)

Category

  • Film
  • First Published

    DEC 1984

    Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898–1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible, he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. The Short-Fiction Scenario presents a master-class on turning a short story into an effective film. Delivered as a series of lectures at the State Institute of Cinematography, it details two parallel scripts drawn from the same story; at each point of difference, Eisenstein explains why one works better.
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