Some Luck

Jane Smiley

Fiction

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The first novel in a dazzling new epic trilogy from the winner of the Pulitzer Prize; a literary adventure that will span a century in America. 1920. After his return from the battlefields in France, Walter Langdon and his wife Rosanna begin their life together on a remote farm in Iowa. As time passes, their little family will grow: from Frank, the handsome, willful first-born, to Joe, whose love of animals and the land sustains him; from Lillian, beloved by her mother, to Henry who craves only the world of his books; and Claire, the surprise baby, who earns a special place in her father's heart. As Walter and Rosanna struggle to keep their family through good years and hard years - to years more desperate than they ever could have imagined, the world around their little farm will turn and life for their children will be unrecognizable from what came before. Some will fall in love, some will have families of their own, some will go to war and some will not survive. All will mark history in their own way.

Jane Smiley

Jane Smiley (born September 26, 1949) is an American novelist. She won the Pulitzer Prize for Fiction in 1992 for her novel A Thousand Acres (1991) Smiley published her first novel, Barn Blind, in 1980, and won a 1985 O. Henry Award for her short story "Lily", which was published in The Atlantic Monthly. Her best-selling A Thousand Acres, a story based on William Shakespeare's King Lear, received the Pulitzer Prize for Fiction in 1992. It was adapted into a film of the same title in 1997. Her novella The Age of Grief was made into the 2002 film The Secret Lives of Dentists. Her essay "Feminism Meets the Free Market" was included in the 2006 anthology Mommy Wars [4] by Washington Post writer Leslie Morgan Steiner. Her essay "Why Bother?" appears in the anthology Knitting Yarns: Writers on Knitting, published by W. W. Norton & Company in 2013. Thirteen Ways of Looking at the Novel (2005), is a non-fiction meditation on the history and the nature of the novel, somewhat in the tradition of E. M. Forster's seminal Aspects of the Novel, that roams from eleventh century Japan's Murasaki Shikibu's The Tale of Genji to 21st-century American women's literature.