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Forgetting

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Forgetting

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Time is arguably our biggest enemy. And memory, perhaps, our greatest curse. Which makes forgetting the hardest thing to do.These are stories of difficult pasts, and the struggle to leave them behind. Identical-twin rickshaw drivers are wrongly suspected of terrorism in paranoid Bombay; a Calcutta merchant envies each saree he sells for the intimacy it'll share with the woman who buys it; an illicit love affair is conducted over nine potent text messages; a lonely astronaut sings out loud, hoping his voice will find an ear somewhere; adivasis, jawans, Naxalites, policemen and journalists in Orissa are caught in a web of violence unleashed on them by both their own histories and that of a nation helplessly repeating it. Forty-nine tales that speak of the power of forgetting.

Devashish Makhija

Devashish Makhija is an Indian filmmaker, screenwriter, graphic artist, fiction writer and poet, best known for writing and directing full-length feature films Ajji Oonga and authoring the bestselling children's books When Ali became Bajrangbali and Why Paploo was Perplexed, and a series of 49 short stories published as the anthology Forgetting by HarperCollins. He has also worked on the films Black Friday and Bunty Aur Babli

Title

Forgetting

Author

Devashish Makhija

Publisher

HarperCollins Publishers India Pvt.Limited

Number of Pages

235

Language

English (US)

Category

  • Fiction-M
  • First Published

    JAN 2014

    Time is arguably our biggest enemy. And memory, perhaps, our greatest curse. Which makes forgetting the hardest thing to do.These are stories of difficult pasts, and the struggle to leave them behind. Identical-twin rickshaw drivers are wrongly suspected of terrorism in paranoid Bombay; a Calcutta merchant envies each saree he sells for the intimacy it'll share with the woman who buys it; an illicit love affair is conducted over nine potent text messages; a lonely astronaut sings out loud, hoping his voice will find an ear somewhere; adivasis, jawans, Naxalites, policemen and journalists in Orissa are caught in a web of violence unleashed on them by both their own histories and that of a nation helplessly repeating it. Forty-nine tales that speak of the power of forgetting.
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